Profile Email: Profile picture: © First name: Last name: main residence: Set an example for diversification and inclusion in the film industry:Write “YES” in the box and show your willingness to job shareinterested in job sharing: Professions Select a maximum of 3 occupations Directing: Director Assistant director Dialogue director 2nd unit director Script Editor Screenwriting: Screenwriter Story Consultant Script translator Script editor Experimental film: Experimental filmmaker Animation: Animation filmmaker Animator Cinematography: Director of Photography 2nd unit camera Camera operator / Panning operator Steadicam operator First assistant camera Second assistant camera Digital imaging technician Data wrangler Video operator Still photographer Lighting: Chief lighting technician / Gaffer Assistant chief lighting technician / Best Boy Dolly grip Key grip Assistant grip Sound: Sound engineer Sound assistant Sound re-recording mixer / Dubbing mixer Sound editor Sound designer Music supervisor Foley Artist Editing: Film editor Assistant film editor Post production: 2D compositor 3D compositor Visual effects Colorist Film production: Producer Production accountant Line producer Producer Television editor Production manager Production coordinator Post production supervisor Post production coordinator First unit manager Set manager Location manager Assistant unit manager Production assistant Runner Music: Film composer Film musician Production design: Production designer Prop master Construction Food stylist Standby prop Set decorator Set painter Location scout Assistant prop master Storyboard artist Assistant Production Designer Hair and make-up: Key make-up artist SFX makeup Assistant make-up artist Costume design: Costume designer Set costumer Assistant costume designer Casting: Casting director Cast production assistent Film mediation: Teachers Film educator Lecturer/ Researcher in Film Studies Film curator Moderator Distribution: Press Cinema Festival Distribution Distribution Institution Other professions: Agentin Catering Choreographer Dialog coach Driver Greenfilming Intimacy Coach Children’s coach Casting agent for supporting artists and extras Supervisor for supporting artists and extras Acting coach Stunt coordinator Stunt woman Animal trainer Subtitle translator Profession: Further informations Biography: Visual Code <p class="p2" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;">Esther Kreiner wurde 1998 in Korneuburg geboren und ist in Wien aufgewachsen. Sie besuchte die Höhere Graphische Bundes-, Lehr- und Versuchsanstalt in der Abteilung Multimedia. Während ihrer Schulzeit entstand ihr tiefes Interesse zum Film, insbesondere zur Kamera. Anschließend studierte sie Theater-, Film- und Medienwissenschaft an der Universität Wien und arbeitete als Kameraassistentin. Von 2022 bis 2025 studierte sie Kamera für Dokumentarfilm an der Filmschule ZeLIG und realisiert seither Filme als Kamerafrau.</span></p> Visual Code Filmography: Visual Code <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><b>Filme als Kamerafrau (Auswahl)</b></span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><em>We are here</em> (2026) | Kurzdokumentarfilm | Regie: Isy Gurschler & Francesca Biaggi | Kamera: Esther Kreiner | Ton: Anna Ciju & Aldo Masini | Schnitt: Gwendolyn Meisinger | Produktion: Isy Gurschler | (WIP)</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><em>Torneranno I Lupi</em> (2025) | Mittellanger Dokumentarfilm (Diplomfilm) | Regie: Bianca Vallino | Kamera: Esther Kreiner | Schnitt: Elisa Cabbai | Produktion: ZeLIG | Festivals: Visions du Reél 2026, ZagrebDox 2026, Bellaria Film Festival 2026, CinemAmbiente 2026</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><em>Pygmalia</em> (2024) | Kurzdokumentarfilm | Regie: Jonathan Bugiel Kamera: Esther Kreiner | Ton & Schnitt: Aldo Masini | Produktion: ZeLIG | Festivals: BFFB 2025 </span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><em>BreakFast</em> (2023) | Kurzexperimentalfilm | Regie: Lea Dalfen | Kamera: Esther Kreiner | Ton: Yan Tatzber | Schnitt: Lea Dalfen | Festivals: Youki Festival 2024</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><em>Stanze</em> (2023) | Kurzdokumentarfilm | Regie: Simona Palmieri | Kamera: Esther Kreiner | Ton & Schnitt: Elisa Cabbai | Produktion: ZeLIG | Festivals: Diagonale 2024, BFFB 2024, Trento Film Festival 2024</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><em>Orte der Erinnerung</em> (2021) | Kurzdokumentarfilm | Konzept, Regie, Kamera & Schnitt: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><em>Das nahe Ferne – Kulturen in Wien</em> (2018) | Dreiteilige Kurzdokumentarfilmserie (Diplomprojekt) | Konzept, Produktion, Regie & Kamera: Nahid Bertsch & Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><b>Berufserfahrungen beim Film (Auswahl) </b></span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;">Gästekoordination & Produktionsarbeit für <i>Tricky Women Tricky Realities</i>, International Animation Film Festival | März 2026</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Herzklang - Zurück zu mir</i> (2026) | Regie: Patricia Frey | Kamera: Mike Clayton | Video Assist & Data Wrangler: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Die Toten vom Bodensee</i> (Folge 24 - Schicksalsrad / 2026) | Regie: Patricia Frey | Kamera: Lukas Gnaiger | Video Assist: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Das geheime Stockwerk</i> (2025) | Regie: Norbert Lechner | Kamera: Daniela Knapp | Video Assist & Data Wrangler: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Austroschwarz</i> (2025) | Regie: Mwita Mataro & Helmut Karner | Kamera: Jasmin Schwendinger | 1. Kameraassistenz: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;">Kassiererin im <i>Kino Filmclub Bozen</i> | Dezember 2022 bis Juni 2024 </span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;">Arbeit im <i>Kameraverleih DigiRental</i>, Wien | Sommer 2022 & 2023</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Walking on Sunshine</i> (Staffel 4 / 2023) | Regie: Holger Barthel | Kamera: Peter Kappel | Video Assist & Data Wrangler: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Und dass man ohne Täuschung zu leben vermag</i> (2023) | Regie: Katharina Lüdin | Kamera: Katharina Schelling | Beleuchterin: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Rosas Schloss</i> (2023) | Regie: Wolf-Maximilian Liebich | Kamera: Laura Ettel | 2. Kameraassistenz: Esther Kreiner</span></p> <p class="p1" style="margin: 0px 0px 16px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-stretch: normal; font-size: 14.7px; line-height: normal; font-family: Helvetica; color: #262626; -webkit-text-stroke-color: #262626;"><span class="s1" style="font-kerning: none;"><i>Der Riss </i>(2022) | Regie: Paul Ertl | Kamera: Lukas Schöffel | 2. Kameraassistenz: Esther Kreiner </span></p> Visual Code Publications: Website: Youtube: Vimeo: Facebook: Instagram:
