Profile Email: Profile picture: © First name: Last name: main residence: Set an example for diversification and inclusion in the film industry:Write “YES” in the box and show your willingness to job shareinterested in job sharing: Professions Select a maximum of 3 occupations Directing: Director Assistant director Dialogue director 2nd unit director Script Editor Screenwriting: Screenwriter Story Consultant Script translator Script editor Experimental film: Experimental filmmaker Animation: Animation filmmaker Animator Cinematography: Director of Photography 2nd unit camera Camera operator / Panning operator Steadicam operator First assistant camera Second assistant camera Digital imaging technician Data wrangler Video operator Still photographer Lighting: Chief lighting technician / Gaffer Assistant chief lighting technician / Best Boy Dolly grip Key grip Assistant grip Sound: Sound engineer Sound assistant Sound re-recording mixer / Dubbing mixer Sound editor Sound designer Music supervisor Foley Artist Editing: Film editor Assistant film editor Post production: 2D compositor 3D compositor Visual effects Colorist Film production: Producer Production accountant Line producer Producer Television editor Production manager Production coordinator Post production supervisor Post production coordinator First unit manager Set manager Location manager Assistant unit manager Production assistant Runner Music: Film composer Film musician Production design: Production designer Prop master Construction Food stylist Standby prop Set decorator Set painter Location scout Assistant prop master Storyboard artist Assistant Production Designer Hair and make-up: Key make-up artist SFX makeup Assistant make-up artist Costume design: Costume designer Set costumer Assistant costume designer Casting: Casting director Cast production assistent Film mediation: Teachers Film educator Lecturer/ Researcher in Film Studies Film curator Moderator Distribution: Press Cinema Festival Distribution Distribution Institution Other professions: Agentin Catering Choreographer Dialog coach Driver Greenfilming Intimacy Coach Children’s coach Casting agent for supporting artists and extras Supervisor for supporting artists and extras Acting coach Stunt coordinator Stunt woman Animal trainer Subtitle translator Profession: Further informations Biography: Visual Code Christine Moderbacher ist geboren 1982 in Wien, aufgewachsen in St. Pölten. Nach dem Studium „Sozialanthropologie und Dokumentarfilm“ (Universität Wien, Manchester und Aberdeen University) nahm sie am Master „Sound Image Culture“ in Brüssel teil, wo sie mit dokumentarischen Erzähltechniken experimentierte. In ihrer künstlerischen und wissenschaftlichen Arbeit setzt sie sich seit Jahren mit den Themen Flucht, Migration und Storytelling auseinander und leitet partizipative Videoworkshops für verschiedene Organisationen und Flüchtlingszentren in Europa. Seit 2019 ist sie wissenschaftliche Mitarbeiterin (Postdoc in Visueller Anthropologie) am Max-Planck-Institut in Halle, Deutschland. Visual Code Filmography: Visual Code RED EARTH WHITE SNOW Documentary Essay Film/ 71 min/ AT 2018/ DCP Funded by the Austrian ministry of culture, Land Niederösterreich, Zukunftsfond Österreich, Otto Mauer Fonds, ORF Innovative Film/ Developed in the framework of Startstipendium BKA/ Pinanona Production/ Distribution: sixpackfilm A LETTER TO MOHAMED Documentary Essay Film/ 35 min/ AT, BE 2013/ DCP Production: CVB Bruxelles/ Distribution: sixpackfilm MEN AT WORK Documentary Film/ 32 min/ UK 2010/ DVD University School of Social Science, The University of Manchester, Granada Centre for Visual Anthropology/ Distribution: RAI Visual Code Publications: “WELCOME TO MY WAITING ROOM! PLEASE, TAKE A SEAT!”: ON FUTURE IMAGINARIES BEING SHATTERED AND POSTPONED. In Seiger F., Timmerman C., Salazar N., & Wets J. (Eds.), Migration at Work: Aspirations, Imaginaries & Structures of Mobility. Leuven University Press 2020, pp.153-179 THE LIFE AND WORK OF MARQUIS ROBERT DE WAVRIN, AN EARLY VISUAL ANTHROPOLOGIST. Visual Anthropology 2020, 33 (4) “NOTHING IS EXPENSIVE, EVERYTHING CHEAP, NOTHING EXPLOSIVE!” Side Stories from Molenbeek, Brussels. Migration & Society 2020: 288-293 MARQUIS DE WAVRIN, UN ANTHROPOLOGUE EN AMERIQUE DU SUD. Hudson Edition 2019 HAMUDA, the WOOD and I. Etnofoor 2018: 30 (1) WHITE FACES. Reframing Memory. Review of Performance Art in Allegra lab 2018 ABOUT LIFE. In: Harkness, Rachel (ed.). An Unfinished Compendium of Materials. Knowing From the Inside, University of Aberdeen, Aberdeen 2017 MOVING BEYOND THE SURFACE. In: Hodson, Elizabeth (ed.). Imaginations, Interiors, Surfaces. Knowing From the inside. University of Aberdeen 2017 ON BEING STUCK IN THE WRONG LIFE: HOMELONGING, MOVEMENT AND THE PAIN OF EXISTENTIAL IMMOBILITY. In: Sabina Leoncini, Julia Schwarz, Andreas Hackl, Miriam Gutekunst (eds.). Im/mobilities and boundaries: an ethnographical approach. Bielefeld: Transcript Verlag, Columbia University Press, p. 113-128(together with Annika Lems) MOLENBEEK? HEREINSPAZIERT! Press Article on Molenbeek, Brussels. In: Isje Informationsstelle für Journalismus & Entwicklungspolitik 2015 “DIE LUST AM FILMEN VERGEHT IN DER ZWISCHENZEIT!” In (Amt der NÖ Landesregierung Abteilung Kunst und Kultur ed.): Filmlandschaft Niederösterreich. St.Pölten 2015, p. 08:80:00:00 Website: Youtube: Vimeo: Facebook: Instagram:
