Profile Email: Profile picture: © First name: Last name: main residence: Set an example for diversification and inclusion in the film industry:Write “YES” in the box and show your willingness to job shareinterested in job sharing: Professions Select a maximum of 3 occupations Directing: Director Assistant director Dialogue director 2nd unit director Script Editor Screenwriting: Screenwriter Story Consultant Script translator Script editor Experimental film: Experimental filmmaker Animation: Animation filmmaker Animator Cinematography: Director of Photography 2nd unit camera Camera operator / Panning operator Steadicam operator First assistant camera Second assistant camera Digital imaging technician Data wrangler Video operator Still photographer Lighting: Chief lighting technician / Gaffer Assistant chief lighting technician / Best Boy Dolly grip Key grip Assistant grip Sound: Sound engineer Sound assistant Sound re-recording mixer / Dubbing mixer Sound editor Sound designer Music supervisor Foley Artist Editing: Film editor Assistant film editor Post production: 2D compositor 3D compositor Visual effects Colorist Film production: Producer Production accountant Line producer Producer Television editor Production manager Production coordinator Post production supervisor Post production coordinator First unit manager Set manager Location manager Assistant unit manager Production assistant Runner Music: Film composer Film musician Production design: Production designer Prop master Construction Food stylist Standby prop Set decorator Set painter Location scout Assistant prop master Storyboard artist Assistant Production Designer Hair and make-up: Key make-up artist SFX makeup Assistant make-up artist Costume design: Costume designer Set costumer Assistant costume designer Casting: Casting director Cast production assistent Film mediation: Teachers Film educator Lecturer/ Researcher in Film Studies Film curator Moderator Distribution: Press Cinema Festival Distribution Distribution Institution Other professions: Agentin Catering Choreographer Dialog coach Driver Greenfilming Intimacy Coach Children’s coach Casting agent for supporting artists and extras Supervisor for supporting artists and extras Acting coach Stunt coordinator Stunt woman Animal trainer Subtitle translator Profession: Further informations Biography: Visual Code <p class="p1" style="margin: 0px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;">Manu Luksch is filmmaker who works outside the frame. The moving image, and in particular the evolution of film in the digital or networked age, has been a core theme of her works. Characteristic is the blurring of boundaries between linear and hypertextual narrative, directed work and multiple authorship, post-produced and self-generative pieces.<span class="Apple-converted-space"> </span></p> <p class="p1" style="margin: 0px; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;">Her seminal concept sci-fi film is Faceless (2007) compiled from surveillance video footage recovered under the UK’s Data Protection Act. The film treats CCTV images as 'legal readymades', and its scenario derives from the legal properties of the image. The film was narrated by British actor Tilda Swinton, and was translated into 12 languages. Manu also collaborated with Swinton as voice artist for her film project DREAMS REWIRED (2015).</p> Visual Code Filmography: Visual Code <p>CONTAGIOUS WHISPER UK/USA 2020, DV, 8min ALGO-RHYTHM AT/UK 2019, DCP, 14 min GROUND TRUTH. FORENSIC ARCHITECTURE multi-cam live broadcast and event design. AT 2017, 60min 3RD QUARTELY REPORT AT/UK 2016 double projection. HD. 35min DREAMS REWIRED directed with Martin Reinhart, Thomas Tode. narrated by Tilda Swinton. AT/D/UK 2015, DCP, 85 min UNKNOWN TERRITORIES UK 2014, commissioned for C4, HDV, 3 min A NEW AND EXCITING EXPERIENCE AT/UK 2012, HDV, 10 min ARCHITEKTURBUREAU LICHTPAUSE / BLUE-SKY BLUEPRINT AT/UK 2011, HDV, animation film commissioned by DIAGONALE / KÖR, 10 min LIMITATIONS PERMITTED UK 2009, silent stereoscopic 3D, 20 min SYMPATHETIC NERVOUS SYSTEM UK 2001/2009, DV CAM, 10 min MAKE IT SNOW! MAKE IT SNOW! MAKE IT SNOW! UK 2008, DV CAM, commissioned for C4 / Animate!, 1 min MAPPING CCTV AROUND WHITEHALL UK 2008, DV CAM, commissioned for NHK, 3 min DANCER'S CUT UK 2008, DVCAM 10 min commissioned by Shobana Jeyasingh Dance Company for its 20st anniversary FACELESS narrated by Tilda Swinton A/UK 2007, DigiBeta, 50 min IN THE YEAR OF THE FIREDOG UK/TH 2005, DV CAM, 10 min VIRTUAL BORDERS (feature documentary) A/UK 2004, DigiBeta, 91 min Honorary Mention DIAGONALE 2004 AV DINNERS epic eros UK 2003, DigiBeta, 13min short documentary of networked cooking performance BROADBANDIT HIGHWAY UK 2001, 50min, 2. prize 24th Int. Moscow film festival 2002, cat. Cybermovie. ART SERVERS UNLIMITED UK 1998, Beta SP, 30 min. Documentary about the emerging European net culture scene. SO ODER ANDERS A 1996, 16 mm, 13 min</p> Visual Code Publications: Bibliography featuring my work http://www.manuluksch.com/studio/bibliography/ Link to list of papers and essays http://www.manuluksch.com/studio/writing/ http://www.manuluksch.com/studio/writing/ ttp://www.manuluksch.com/studio/bibliography/ Website: Youtube: Vimeo: Facebook: Instagram:
