Profile Email: Profile picture: © First name: Last name: main residence: Set an example for diversification and inclusion in the film industry:Write “YES” in the box and show your willingness to job shareinterested in job sharing: Professions Select a maximum of 3 occupations Directing: Director Assistant director Dialogue director 2nd unit director Script Editor Screenwriting: Screenwriter Story Consultant Script translator Script editor Experimental film: Experimental filmmaker Animation: Animation filmmaker Animator Cinematography: Director of Photography 2nd unit camera Camera operator / Panning operator Steadicam operator First assistant camera Second assistant camera Digital imaging technician Data wrangler Video operator Still photographer Lighting: Chief lighting technician / Gaffer Assistant chief lighting technician / Best Boy Dolly grip Key grip Assistant grip Sound: Sound engineer Sound assistant Sound re-recording mixer / Dubbing mixer Sound editor Sound designer Music supervisor Foley Artist Editing: Film editor Assistant film editor Post production: 2D compositor 3D compositor Visual effects Colorist Film production: Producer Production accountant Line producer Producer Television editor Production manager Production coordinator Post production supervisor Post production coordinator First unit manager Set manager Location manager Assistant unit manager Production assistant Runner Music: Film composer Film musician Production design: Production designer Prop master Construction Food stylist Standby prop Set decorator Set painter Location scout Assistant prop master Storyboard artist Assistant Production Designer Hair and make-up: Key make-up artist SFX makeup Assistant make-up artist Costume design: Costume designer Set costumer Assistant costume designer Casting: Casting director Cast production assistent Film mediation: Teachers Film educator Lecturer/ Researcher in Film Studies Film curator Moderator Distribution: Press Cinema Festival Distribution Distribution Institution Other professions: Agentin Catering Choreographer Dialog coach Driver Greenfilming Intimacy Coach Children’s coach Casting agent for supporting artists and extras Supervisor for supporting artists and extras Acting coach Stunt coordinator Stunt woman Animal trainer Subtitle translator Profession: Further informations Biography: Visual Code <p>After earning a degree in theatre, film, and media Studies, she studied cinematography at Film Academy Vienna, as well as art and photography and art and film under Tizza Covi at Academy of Fine Arts Vienna. Laura works as a cinematographer on short and feature-length film productions, at the intersection of film and the visual arts, and often in collaboration with other artists. She also works as a film educator. For her, the artistic and creative partnership with the director and the mindful relationship with the protagonists and actors in front of the camera are central to her filmmaking.</p> Visual Code Filmography: Visual Code <p>2026: „Die Kandidatinnen“, Kinodokumentarfilm, Regie: Anna Katharina Wohlgenannt, Co-DOP mit Judith Benedikt, in Entwicklung; 2026: „Prävention im Klassenzimmer“, Kinodokumentarfilm, Regie: Felicitas Sonvilla, in Entwicklung; 2026: „Unser Haus“, Kinodokumentarfilm, Regie: Lotte Schreiber, Co-DOP mit Johannes Hammel, in Entwicklung; 2026: „Grand Maistre“, experimenteller Langspielfilm, Regie: Jaime Ibanez, in Entwicklung; 2026: „Ioanna&Leon”, Langspielfilm, Regie: Iris Blauensteiner, Co-DOP mit Carolina Steinbrecher, in Entwicklung; 2026: „Who Cares“, Kurzdokumentarfilm, Regie: Rebecca Fuxen, in Produktion; 2025: “Life Cast”, Kurzdokumentarfilm, 14 min, Regie: Flurina Schneider & Laura Ettel; 2025: „Closed for the Virus Break”, Kurzspielfilm, 22 min, Regie: Franz Quitt (Weltpremiere: Filmfestival Max Ophüls Preis 2026); 2025: „Mein Freund der Pornostar“, Kinodokumentarfilm, Regie: Rosa Friedrich; 2025: „Portrayed by“, experimenteller Dokumentarfilm, Regie: Helen Lanwehr, Judith Greitemann; 2025: „Santas Last Christmas“, Kinodokumentarfilm, 2. Kamera, Regie: Stephan Heiniger, in Fertigstellung; 2023: „2 Mütter”, mittellanger Spielfilm, 45min, Regie: Anna Katharina Wohlgenannt (Weltpremiere: Fünfseen Filmfestival); 2023: „Pulver”, Experimentalfilm, 10min, Regie: Jaime Ibanez; 2023: „Rosas Schloss“, mittellanger Spielfilm, 35min, Regie: Wolf-Maximilian Liebich (Premiere: Diagonale 2024); 2022: „Hasenleiten”, Kurzdokumentarfilm, 20min, Regie: Lotte Schreiber (Premiere: Diagonale 2024); 2022: „Seenland Österreich - Neusiedler See und Seewinkel”, Fernsehdokumentarfilm, 2. Kamera, 70min, Regie: Rosa Plattner; 2022: „She Chef“, Kinodokumentarfilm, 2. Kamera, 90min, Regie: Gereon Wetzel und Melanie Liebheit (Weltpremiere: Visions du Réel 2022); 2022: „In this silence I believe“, 15 min, Experimentalfilm, Regie: Simon Spitzer (Premiere: Vienna Independent Shorts 2023); 2021: „Kleine Ängste“, Experimentalfilm, 15min, Regie: Jaime Ibanez; 2021: „Boys“, Dokuserie ZDF, 7x10 Minuten, Regie: Felicitas Sonvilla und Nina Wesemann; 2021: „In this Silence I believe“, Experimentalfilm, Regie: Simon Spitzer; 2020: „Stalltänze“, Dokumentarfilm/Videoperformance, 60 min, Regie: Barbara Maria Neu; 2019: „Die Unvollendeten“, Langdokumentarfilm, Regie: Wolf-Maximilian Liebich & Lukas Zweng; 2019: „Tights”, Experimentalfilm, 12 min, Regie: Helen Lanwehr; 2018: „This Town“, Musikvideo, Regie: Wolf-Maximilian Liebich</p> Visual Code Publications: "Aus der Werkstatt: Karina Kessler", Sonderzahl Verlag 2023 (editor, with Kerstin Parth, Claudia Walkensteiner-Preschl and Philipp Mayer) "Aus der Werkstatt: Jessica Hausner", Sonderzahl Verlag 2021 (editor, with Kerstin Parth, Nicolas Pindeus and Jana Libnik) Website: Youtube: Vimeo: Facebook: Instagram:
