Profile Email: Profile picture: © First name: Last name: main residence: Set an example for diversification and inclusion in the film industry:Write “YES” in the box and show your willingness to job shareinterested in job sharing: Professions Select a maximum of 3 occupations Directing: Director Assistant director Dialogue director 2nd unit director Script Editor Screenwriting: Screenwriter Story Consultant Script translator Script editor Experimental film: Experimental filmmaker Animation: Animation filmmaker Animator Cinematography: Director of Photography 2nd unit camera Camera operator / Panning operator Steadicam operator First assistant camera Second assistant camera Digital imaging technician Data wrangler Video operator Still photographer Lighting: Chief lighting technician / Gaffer Assistant chief lighting technician / Best Boy Dolly grip Key grip Assistant grip Sound: Sound engineer Sound assistant Sound re-recording mixer / Dubbing mixer Sound editor Sound designer Music supervisor Foley Artist Editing: Film editor Assistant film editor Post production: 2D compositor 3D compositor Visual effects Colorist Film production: Producer Production accountant Line producer Producer Television editor Production manager Production coordinator Post production supervisor Post production coordinator First unit manager Set manager Location manager Assistant unit manager Production assistant Runner Music: Film composer Film musician Production design: Production designer Prop master Construction Food stylist Standby prop Set decorator Set painter Location scout Assistant prop master Storyboard artist Assistant Production Designer Hair and make-up: Key make-up artist SFX makeup Assistant make-up artist Costume design: Costume designer Set costumer Assistant costume designer Casting: Casting director Cast production assistent Film mediation: Teachers Film educator Lecturer/ Researcher in Film Studies Film curator Moderator Distribution: Press Cinema Festival Distribution Distribution Institution Other professions: Agentin Catering Choreographer Dialog coach Driver Greenfilming Intimacy Coach Children’s coach Casting agent for supporting artists and extras Supervisor for supporting artists and extras Acting coach Stunt coordinator Stunt woman Animal trainer Subtitle translator Profession: Filmemacherin und Assistant Professorin an der NTU Singapore Filmemacherin und Assistant Professorin an der NTU Singapore Further informations Biography: Visual Code Ella Raidel ist Filmemacherin und Asst. Professorin an der NTU Singapore. Sie fokussiert in ihren kunst-basierten, interdisziplinären Arbeiten und Forschungen – Filmen, Videos und Texten- auf den sozio-kulturellen Aspekt der Globalisierung mit einem speziellen Fokus auf Ost und Südostasien. Ella Raidel arbeitet zu Themen der Globalisierung, Urbanisierung, Kino aus China und Taiwan, promovierte und publizierte zu den Filmen des Tsai Ming-Liang. Derzeit forscht sie im Rahmen einer Elise Richter PEEK Stelle (FWF) über chinesische Geisterstädte. http://www.hauntedspaces.net Ihre Arbeiten wurden auf zahlreichen internationalen Filmfestivals, Kunstausstellungen und Biennalen gezeigt. Auswahl Festivals: International Filmfestival Rotterdam IFFR (2010, 2011), CPH:DOX Copenhagen International Documentary Film Festival (2014), DOK Leipzig (2014), Duisburger Filmwoche (2011), Diagonale (2015, 2008), Crossing Europe Filmfestival Linz (Festivaltrailer 2013; Eröffnungsfilm 2014), BAFICI Buenos Aires International Film Festival (2015), HOTDOCS Canada (2015), Planete+Doc Film Festival Warsaw (2015), Margaret Mead Film Festival New York (2015), Chicago International Film Festival (2015, Festivaltrailer 2016). Visual Code Filmography: Visual Code 2016 Play Fight, 1 Min., Chicago International Film Festival Trailer 2015 BERG, 25 Min., Experimentalfilm 2014 Double Happiness, 75. Min., Dokumentarfilm, http://www.doublehappiness.at 2013 Cinema Isn’t I see, It’s I fly, 1 Min., Crossing Europe Filmfestival Trailer 2011 Subverses China in Mozambique, 45. Min., Dokumentarfilm 2011 Play Life Series, 11 Min., Experimentalfilm 2010 Slam Video Maputo, 27 Min., Experimentalfilm 2010 Family Affairs, 2 Min., Experimentalfilm Visual Code Publications: The Politics of Memory in Sinophone Cinemas and Image Culture. Altering Archives. Ella Raidel und Peng Hsiao-yen (Hg.). New York: Routledge Contemporary China Series, 2018 Double Happiness, DVD und Booklet, Kunstuniversität Linz, 2018 The Exhausted Narrative in Tsai Ming-Liangs Films, in: Ruinscape in Modern Chinese Literature and Visual Culture. Tse-Lan Deborah Sang und Chun Zhang (Hg.). Beijing: Frontiers of Literary Studies in China, Volume 11, Issue 2, 2017 Hou Hsiao-Hsien. Writing History, in: Ray Filmmagazin 06/14 Reminiszenzen an das Kino – Tsai Ming-Liang: eine umfangreiche Festwochen Personale, in: Ray Filmmagazin 05/14 Subversive Realitäten: Tsai Ming-Liang und seine Filme, Marburg: Schüren Verlag, 2011 Interview mit Tsai Ming-Liang, in: Revolver Heft 19, Revolver Filmmagazin, Berlin: Verlag der Autoren, 2009 Website: Youtube: Vimeo: Facebook: Instagram:
